'Charleston' author Margaret Thornton at Barnes & Noble Arboretum

Bradham Thornton

Eliza Poinsett is a fictional heroine, Southern at that. But she doesn't depend on the kindness of strangers, as do so many of the heroines of Tennessee Williams's plays.

Eliza is the invention of  Margaret Bradham Thornton, a graduate of Charleston's Ashley Hall and of Princeton University. She is the award-winning author of  "Tennessee Williams's Notebooks." After ten years of research into the great playwright's journals, she was unwilling to create a heroine who was waiting around for a man to rescue her.

Thornton's "Charleston" (Ecco, $25.99) tells the story of  two Charlestonians: Eliza, an art historian living in London, and charming newspaperman Henry Heyward, who is raising his nine-year-old son. The two happen to meet again in 1990, after a decade apart, at a wedding in the English countryside. A second chance? Maybe so.

Thornton herself grew up in Charleston, and the Charleston Mercury praised her eye for detail, "from the swamps of the ACE Basin to a South of Broad dinner party."

I'm hoping the author will call for questions. Be sure to ask her about the role of Henry James's heroine Isabel Archer, and what she found under the paint in the Charleston house she restored.

Meet the Author:

Thornton will sign copies of her book from 3-5 p.m., Wednesday, at Barnes & Noble at the Arboretum, 3327 Pineville-Matthews Road, Charlotte, 28226.

Two novels so breathtakingly good I could even read during daylight

Confession: I find it almost impossible to read during daylight hours. In June, at a garage sale, I bought a lovely little pink chair with a matching ottoman. Price: $12.  "This is my reading chair," I proclaimed. "From now on, I will sit in it and read during the day." Didn't work. Didn't, that is, until two novels appeared on my desk: "The Girls of August," by Anne Rivers Siddons and "Life Drawing," by Robin Black. Couldn't put them down. Daylight or not.

Leave it to Siddons of Charleston always to hatch a great plot. Four friends have been gathering for decades in August to spend a week somewhere along the coast. Ocean front and isolated. But this year, one of the four -- Melinda -- is dead. In her stead is Melinda's widower's new (very young, very fit, seemingly very needy) wife Baby. This year's locale -- a remote barrier island off the coast of South Carolina -- adds to the psychological combustion as each of these women makes a "startling discovery." During their stay,by the way, the four drink enough alcohol to embalm a whale. But it's a light, quick read and highly engaging.

I was tipped to Robin Black's "Life Drawing" when it showed up on the long list for this year's Flaherty-Dunnan first novel prize. Black lives in Philadelphia and is a graduate of Warren Wilson's MFA Writing program. So I was curious. Still, I had no idea I was in for one of the best reads in ages. This is my favorite kind of novel -- a literary page-turner, which, sadly, doesn't come along often enough. Black burrows under the mind's skin, articulating the things we're only vaguely aware of thinking. She's a painter. Her husband Owen is a blocked writer. They've moved to an old farmhouse in the country to try to put behind them Augusta's affair. Allison moves in next door. Augusta and Allison become quick friends. Owen becomes unblocked. The novel builds, builds, until it's practically on fire.